Abdel Rahman El Bacha's 'The Well-Tempered Clavier Book I : Fugue No.7' came out on January 26, 2011. With The Well-Tempered Clavier Book I : Fugue No.7 being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Abdel Rahman El Bacha's "J.S.Bach : The Well-Tempered Clavier Book I" album is number 14 out of 48. The popularity of The Well-Tempered Clavier Book I : Fugue No.7 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Well-Tempered Clavier Book I : Fugue No.7 by Abdel Rahman El Bacha to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Cello Concerto in G Minor, RV 416: III. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | G Minor | 1 | 6A | 135 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II | Johann Sebastian Bach, Yo-Yo Ma | C Major | 1 | 8B | 84 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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