"The Planets, Op. 32: III. Mercury, the Winged Messenger" by Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington was released on May 11, 2018. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Stuttgart Radio Symphony Orchestra, Sir Roger Norrington's "Holst: The Planets, Op. 32 - Elgar: Serenade for Strings in E Minor, Op. 20" album is number 3 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, The Planets, Op. 32: III. Mercury, the Winged Messenger is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: III. Mercury, the Winged Messenger by Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Wagner: Lohengrin, Act III: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM | ||
Variation 4: Vivace | Max Reger, Stuttgart Radio Symphony Orchestra, Carl Schuricht | G Minor | 3 | 6A | 124 BPM | ||
Lincolnshire Posy: V. Lord Melbourne | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | C Major | 1 | 8B | 103 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto (Excerpt) | Ludwig van Beethoven, Sir Roger Norrington, London Classical Players | E Minor | 0 | 9A | 77 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio | Ludwig van Beethoven, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 1 | 8B | 85 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act II. Song. "Come All Ye Songsters of the Sky" | Henry Purcell, Lorraine Hunt, Catherine Pierard, Susan Bickley, Howard Crook, Mark Padmore, David Wilson-Johnson, Sir Roger Norrington, Schütz Choir of London, London Classical Players, Richard Wistreich | D Major | 0 | 10B | 91 BPM |
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