Handel, J Vyvyan, H Handt, Vienna Symph Orch, M Wöldike, The Copenhagen Boys Choir, T Hemsley, L Dutoit, H Watts, E Thorborg made "Saul, HWV53: 26. Symphony" available on February 19, 2013. With Saul, HWV53: 26. Symphony being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 134 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Saul, HWV53: 26. Symphony is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Saul, HWV53: 26. Symphony by Handel, J Vyvyan, H Handt, Vienna Symph Orch, M Wöldike, The Copenhagen Boys Choir, T Hemsley, L Dutoit, H Watts, E Thorborg is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Accompanied recitative with Chorus: Now strike the golden lyre again ... Break his bonds of sleep asunder | Handel, Honor Sheppard, Maurice Bevan, Oriana Concert Choir, Oriana Concert Orchestra, Max Worthley, Alfred Deller | B♭ Major | 4 | 6B | 109 BPM | ||
Chamber Concerto in D Major, RV 95, "La pastorella" (arr. for recorder and orchestra): II. Largo | Antonio Vivaldi, László Kecskeméti, Nicolaus Esterhazy Sinfonia | D Major | 0 | 10B | 56 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: I. Vivace | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | D♭ Minor | 5 | 12A | 108 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 3 | 2B | 98 BPM |
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