Ralph Benatzky, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Lotte Rysanek, Vienna State Opera Orchestra made "Im weissen Rössl, Act I: "Es muss was Wunderbares sein"" available on September 1, 2010. The duration of Im weissen Rössl, Act I: "Es muss was Wunderbares sein" is about 3 minutes long, at 3:09. Based on our data, "Im weissen Rössl, Act I: "Es muss was Wunderbares sein"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 32 in Beliebte Operettenmelodien by Various Artists. In terms of popularity, Im weissen Rössl, Act I: "Es muss was Wunderbares sein" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Im weissen Rössl, Act I: "Es muss was Wunderbares sein" by Ralph Benatzky, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Lotte Rysanek, Vienna State Opera Orchestra is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Der Donau, Wenn Der Wein Blüht | Lilian Harvey & Willy Fritsch | D Major | 3 | 10B | 118 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
L'Auberge du Cheval Blanc: Reminiscence ainsi va la vie | Ralph Benatzky, Geori Boue, Orchestre Rene Saint Paul, Jésus Etcheverry | E♭ Major | 2 | 5B | 80 BPM | ||
Rote Rosen, rote Lippen, roter Wein | René Carol | B♭ Major | 3 | 6B | 122 BPM | ||
Schau mich bitte nicht so an (La vie en rose) | Rudi Schuricke | C Major | 3 | 8B | 86 BPM | ||
Was kann schöner sein | Lys Assia | F Major | 5 | 7B | 112 BPM | ||
Es Löscht Das Meer Die Sonne Aus | Der Montanara Chor | D♭ Major | 2 | 3B | 75 BPM | ||
Meine Schwester und ich: Dialog 8 (Lacy, Irma) | Ralph Benatzky, Hans Hansen, Ruth Zillger | D♭ Major | 1 | 3B | 84 BPM | ||
Zwei in einer großen Stadt - Remastered | BELINA | F♯ Minor | 2 | 11A | 77 BPM | ||
Dunkles Wolkenmeer (Otshi Tshernia) | Alexandra | F Major | 4 | 7B | 101 BPM |
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