Ignaz Pleyel, Michael Salm, Mila Georgieva, Gunter Teuffel, Konstanze Brenner, Gaby Pas-Van Riet, Manuel Fischer-Dieskau, Hanno Donneweg, Stuttgart Radio Symphony Orchestra, Anne Angerer, Johannes Moesus's ' "Symphonie Concertante in F Major, Ben. 113: III. Variation 3" was released on its scheduled release date, April 1, 2014. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Pleyel: Symphonies Concertantes - Bassoon Concerto". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphonie Concertante in F Major, Ben. 113: III. Variation 3's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Symphonie Concertante in F Major, Ben. 113: III. Variation 3 by Ignaz Pleyel, Michael Salm, Mila Georgieva, Gunter Teuffel, Konstanze Brenner, Gaby Pas-Van Riet, Manuel Fischer-Dieskau, Hanno Donneweg, Stuttgart Radio Symphony Orchestra, Anne Angerer, Johannes Moesus having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ホルン協奏曲 第3番 K.447~第1楽章 | ペテル・ヘルニッフ, Marcello Rota, Czech National Symphony Orchestra | E♭ Major | 1 | 5B | 114 BPM | ||
Divertimento for Flute, Violin & Cello in A Major, Hob. IV:10: II. Adagio | Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet | B Major | 0 | 1B | 88 BPM | ||
Clara Aurora, para tiple, oboes, trompas, violines y acompañamiento: Aria de Concepción | Jaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla | B♭ Major | 1 | 6B | 74 BPM | ||
2 Classical Sketches: No. 2. Lamento | Yannis Markopoulos, Marc Grauwels, Sophie Hallynck, Brussels Virtuosi, Iannis Leonidakis | A Minor | 0 | 8A | 76 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Pleyel / Arr Stoll : Theme with Variations in G major | Ignaz Pleyel, Jörg Baumann & Klaus Stoll | G Major | 1 | 9B | 82 BPM | ||
Sinfonia in B-Flat Major, Badley Bb1: III. Vivace | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | F Major | 1 | 7B | 130 BPM | ||
Overture in D Major, Op. 8, No. 2: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | A Major | 1 | 11B | 151 BPM | ||
Die Geschöpfe des Prometheus, Op. 43: No. 6, Un poco adagio – Allegro | Ludwig van Beethoven, Scottish Chamber Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 127 BPM | ||
String Quartet in C Minor: II. Andantino | Ralph Vaughan Williams, Verdi Quartett | G Major | 0 | 9B | 86 BPM |