On January 1, 2007, the song "Venitienne (Paris, 1707)" was released by Davitt Moroney. The duration of Venitienne (Paris, 1707) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Venitienne (Paris, 1707)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Davitt Moroney's "Le Clavecin Français: Louis Marchand & Louis-Nicolas Clérambault" album is number 10 out of 36. On top of that, United States appears to be the country where this track was created. The popularity of Venitienne (Paris, 1707) is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Venitienne (Paris, 1707) by Davitt Moroney to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Danza pastorale. Allegro | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | F Minor | 1 | 4A | 171 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Sonata in D Major for Violin and Continuo, Book V No. 6: III. Gavotta I/II | Jacques Aubert, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 4: III. Presto | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Baryton Trio in D Major, Hob. XI:113: III. Minuet - Trio | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM |
Section: 0.9290733337402344
End: 0.9336719512939453