"The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter" by Carl Nielsen, Rune Most, Lovisa Wennesz was released on July 10, 2020. The duration of The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Nielsen: The Mother, Op. 41, FS 94". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Denmark. The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter by Carl Nielsen, Rune Most, Lovisa Wennesz having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Gymnopedie No.1 | Erik Satie, Die 12 Cellisten der Berliner Philharmoniker | G Major | 1 | 9B | 81 BPM | ||
Nielsen - 3 Piano Pieces, Op. 59: No. 3. Allegro non troppo | Hans Abrahamsen, Carl Nielsen, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 1 | 3A | 91 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Bagatelles, Op. 47, B. 79: No. 5. Poco allegro | Antonín Dvořák, Scharoun Ensemble | G Major | 2 | 9B | 134 BPM |
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