- BPM
- 143
- Key
- C Minor
- Camelot
- 5A
Suite du premier ton: Grand plein jeu - Louis-Nicolas Clérambault, Pierre Bardon Information
- Acousticness
- 10%
- Danceability
- 13%
- Energy
- 21%
- Instrumentalness
- 94%
- Liveness
- 9%
- Loudness
- 80%
- Speechiness
- 4%
- Valence
- 9%
- Popularity
- 2%
- Loudness
- -12.108 dB
Summary
"Suite du premier ton: Grand plein jeu" by Louis-Nicolas Clérambault, Pierre Bardon was released on January 15, 1984. The duration of Suite du premier ton: Grand plein jeu is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Suite du premier ton: Grand plein jeu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis-Nicolas Clérambault, Pierre Bardon's "Les organistes du Roy Soleil" album is number 2 out of 17. Based on our statistics, Suite du premier ton: Grand plein jeu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite du premier ton: Grand plein jeu BPM
We consider the tempo marking of Suite du premier ton: Grand plein jeu by Louis-Nicolas Clérambault, Pierre Bardon to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
Suite du premier ton: Grand plein jeu Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | |
 | Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | |
 | Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | |
 | Miserere: Quoniam iniquitatem meam | Louis-Nicolas Clérambault, Hasnaa Bennani, Claire Lefilliâtre, Isabelle Druet, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 72 BPM | |
 | Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | |
 | Mensa sonora / PARS I (In D Major): 1. Sonata. Grave - Allegro | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 139 BPM | |
 | Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | |
 | The Gordion Knot Unty'd, Z. 597: Chaconne | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | |
 | Theodora, HWV 68, Pt. II: Symphony Of Soft Musick | George Frideric Handel, Arcangelo, Jonathan Cohen | D♭ Minor | 1 | 12A | 75 BPM | |
 | Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6774773597717285
End: 0.6820611953735352