"My Fatherland, JB 1:112 "Ma Vlast": V. Tabor" by Bedřich Smetana, Denis Zsoltay, Baden-Baden Philharmonic Orchestra was released on January 18, 2020. My Fatherland, JB 1:112 "Ma Vlast": V. Tabor appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Smetana Famous Pieces". In this album, this song's track order is #5. In terms of popularity, My Fatherland, JB 1:112 "Ma Vlast": V. Tabor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With My Fatherland, JB 1:112 "Ma Vlast": V. Tabor by Bedřich Smetana, Denis Zsoltay, Baden-Baden Philharmonic Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
The Devil´s Wall, JB 1:122, Act I, Scene 3: "I Bid You Welcome, My Maiden!...Have You, Perchance, Lost Faith in Me?" (Jarek, Rarach, Vok, Katuška) | Bedřich Smetana, Ivo Zidek, Zdeněk Kroupa, Václav Bednář, Drahomíra Tikalová, Prague National Theatre Orchestra, František Jílek | A♭ Major | 5 | 4B | 121 BPM | ||
The Kiss, JB 1:104, Act I, Scene 5: The Red Sunset is Beaming (Vendulka, dcera Palouckého, Lukáš, mladý vdovec) | Bedřich Smetana, Ludmila Červinková, Beno Blachut, Prague National Theatre Orchestra, Zdeněk Chalabala | C Major | 2 | 8B | 84 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | F♯ Minor | 0 | 11A | 104 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM |
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