Violin Concerto in D Minor, Op. posth., MWV O3 - Second version: I. Allegro molto
Felix Mendelssohn, Gidon Kremer, Orpheus Chamber Orchestra
Mendelssohn: Concerto for Violin, Piano and Strings; Violin Concerto
8:52 January 1, 1989
BPM
81
Key
B Minor
Camelot
10A

Embed

Share Link

Violin Concerto in D Minor, Op. posth., MWV O3 - Second version: I. Allegro molto - Felix Mendelssohn, Gidon Kremer, Orpheus Chamber Orchestra Information

Acousticness
99%
Danceability
59%
Energy
9%
Instrumentalness
86%
Liveness
6%
Loudness
72%
Speechiness
12%
Valence
77%
Popularity
Loudness
-16.507 dB

Summary

Felix Mendelssohn, Gidon Kremer, Orpheus Chamber Orchestra made "Violin Concerto in D Minor, Op. posth., MWV O3 - Second version: I. Allegro molto" available on January 1, 1989. Since Violin Concerto in D Minor, Op. posth., MWV O3 - Second version: I. Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Gidon Kremer, Martha Argerich, Orpheus Chamber Orchestra's "Mendelssohn: Concerto for Violin, Piano and Strings; Violin Concerto" album is number 4 out of 6. On top of that, Germany appears to be the country where this track was created. Violin Concerto in D Minor, Op. posth., MWV O3 - Second version: I. Allegro molto is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Violin Concerto in D Minor, Op. posth., MWV O3 - Second version: I. Allegro molto BPM

We consider the tempo marking of Violin Concerto in D Minor, Op. posth., MWV O3 - Second version: I. Allegro molto by Felix Mendelssohn, Gidon Kremer, Orpheus Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Violin Concerto in D Minor, Op. posth., MWV O3 - Second version: I. Allegro molto Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
Carmen Variations by Vladimir HorowitzCarmen VariationsVladimir HorowitzE Major212B148 BPM
Nocturne No.19 In E Minor, Op.72 No.1 by Frédéric Chopin, Maurizio PolliniNocturne No.19 In E Minor, Op.72 No.1Frédéric Chopin, Maurizio PolliniB Major01B139 BPM
Overture to Overture to "A Midsummer Night's Dream", Op. 21: Tempo primoFelix Mendelssohn, John Eliot Gardiner, London Symphony OrchestraE Major012B140 BPM
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet by Antonín Dvořák, Peter BreinerSerenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. MinuetAntonín Dvořák, Peter BreinerA Major011B67 BPM
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino by Cécile Chaminade, Eric Parkin3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. AndantinoCécile Chaminade, Eric ParkinB Minor010A87 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847Daniel BarenboimC Minor15A68 BPM
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) by Ignaz Friedman, Christoph Willibald Gluck, Joseph BanowetzOrfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano)Ignaz Friedman, Christoph Willibald Gluck, Joseph BanowetzF♯ Major02B70 BPM
Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges by Felix Mendelssohn, Bertrand ChamayouLied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des GesangesFelix Mendelssohn, Bertrand ChamayouA♭ Major04B71 BPM
ISRC
DEF058802811
Label
L-M Records/RCA Records

Section: 0.7628562450408936

End: 0.7675039768218994