Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra's 'Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": I. Allegro maestoso' came out on 1976. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": I. Allegro maestoso appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 1 out of 83. Based on our statistics, Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": I. Allegro maestoso's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": I. Allegro maestoso by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Piano Pieces, Op.118: 3. Ballade In G Minor | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Concerto for 3 Pianos and Orchestra (No. 7) in F, K.242 "Lodron" - arr. Mozart for 2 pianos: 3. Rondeau (Tempo di menuetto) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 123 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo | Carl Maria von Weber, Ernst Ottensamer, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 71 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Les Sylphides: 1. Prélude in A major, Op. 28, No. 7 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 131 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
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