"Mozart: Die Zauberflöte, K. 620, Act 2 Scene 1: Dialog, "Ihr, in dem Weisheitstempel eingeweihten Diener … Grosser Sarastro" (Sarastro, Drei Priester, Sprecher)" by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players was released on February 7, 2005. The duration of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 1: Dialog, "Ihr, in dem Weisheitstempel eingeweihten Diener … Grosser Sarastro" (Sarastro, Drei Priester, Sprecher) is about 3 minutes long, at 3:21. Based on our data, "Mozart: Die Zauberflöte, K. 620, Act 2 Scene 1: Dialog, "Ihr, in dem Weisheitstempel eingeweihten Diener … Grosser Sarastro" (Sarastro, Drei Priester, Sprecher)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's "Mozart: Die Zauberflote" album is number 26 out of 60. Based on our statistics, Mozart: Die Zauberflöte, K. 620, Act 2 Scene 1: Dialog, "Ihr, in dem Weisheitstempel eingeweihten Diener … Grosser Sarastro" (Sarastro, Drei Priester, Sprecher)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 1: Dialog, "Ihr, in dem Weisheitstempel eingeweihten Diener … Grosser Sarastro" (Sarastro, Drei Priester, Sprecher) by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in C Major, RV 184: III. Allegro | Antonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto Martini | C Major | 2 | 8B | 117 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Minor | 4 | 5A | 110 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): I. Larghetto | Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür | C Major | 1 | 8B | 87 BPM | ||
The Merry Shepherd Boy | Hu-Wei Huang, Lang Lang | G Minor | 2 | 6A | 112 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |
Section: 0.6689262390136719
End: 0.6738121509552002