On January 1, 2005, the song "Der Freischütz / Act 3: "Was gleicht wohl auf Erden dem Jägervergnügen?"" was released by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus, Kurt Prestel. The duration of Der Freischütz / Act 3: "Was gleicht wohl auf Erden dem Jägervergnügen?" is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Der Freischütz / Act 3: "Was gleicht wohl auf Erden dem Jägervergnügen?"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Eugen Jochum. The song's track number on the album is #6 out of 26 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Der Freischütz / Act 3: "Was gleicht wohl auf Erden dem Jägervergnügen?"'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Der Freischütz / Act 3: "Was gleicht wohl auf Erden dem Jägervergnügen?" by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus, Kurt Prestel has a tempo of 151 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Der Freischütz / Act 3: "Was gleicht wohl auf Erden dem Jägervergnügen?" being at 151 BPM, the half-time would be 76 BPM with a double-time of 302 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Cantabile in B-Flat Major | Frédéric Chopin, Idil Biret | B♭ Major | 0 | 6B | 69 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
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