Julia Fischer's 'Kapitel 62.2 & Kapitel 63.1 - Der Geschmack unseres Lebens' came out on September 2, 2019. The duration of Kapitel 62.2 & Kapitel 63.1 - Der Geschmack unseres Lebens is about 3 minutes long, at 3:14. Based on our data, "Kapitel 62.2 & Kapitel 63.1 - Der Geschmack unseres Lebens" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 52 out of 138 in Der Geschmack unseres Lebens by Julia Fischer. In terms of popularity, Kapitel 62.2 & Kapitel 63.1 - Der Geschmack unseres Lebens is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Kapitel 62.2 & Kapitel 63.1 - Der Geschmack unseres Lebens by Julia Fischer is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Sonata for 2 Violins in C Major, Op. 56: II. Allegro | Sergei Prokofiev, Julia Fischer, Kirill Troussov | C Minor | 2 | 5A | 100 BPM | ||
Cello Concerto in C, H.VIIb, No.1: 2. Adagio | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | F Major | 1 | 7B | 96 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 4 in C Minor | Niccolò Paganini, Itzhak Perlman | A♭ Major | 2 | 4B | 95 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM |
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