Harry Partch's 'Partch in Prologue, Adapted Viola' came out on 1969. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "The World of Harry Partch". In this album, this song's track order is #4. Partch in Prologue, Adapted Viola is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Partch in Prologue, Adapted Viola by Harry Partch having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Olympos’ Pentatonic - Two Studies on Ancient Greek Scales | Harry Partch, Rody van Gemert | E♭ Major | 3 | 5B | 95 BPM | ||
Barn Dance | Fred Frith, Darren Johnston | D Major | 0 | 10B | 72 BPM | ||
The Christ Is Near | Popol Vuh | D Minor | 3 | 7A | 202 BPM | ||
Kono Yoni Yomeri (Sono 2) | Yasuaki Shimizu | C Major | 0 | 8B | 126 BPM | ||
Cry of a Lady | Terry Riley, Kronos Quartet | A Minor | 1 | 8A | 134 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Vermont Counterpoint | Steve Reich, Anne Parisot, Delphine Roche | A Minor | 3 | 8A | 116 BPM | ||
Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | ||
Dusk | Wayne Hankin, Meredith Monk | D Major | 1 | 10B | 93 BPM | ||
Diamond Marimba | Harry Partch | B♭ Major | 2 | 6B | 102 BPM |
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