On May 1, 2022, the song "Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: III. Corrente" was released by Johann Sebastian Bach, Toby Sermeus. The duration of Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: III. Corrente is about 3 minutes long, at 3:12. Based on our data, "Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: III. Corrente" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 18 in Bach: Bach's Piano Silbermann 1749 by Johann Sebastian Bach, Toby Sermeus. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: III. Corrente is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: III. Corrente by Johann Sebastian Bach, Toby Sermeus is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 2 | 5A | 88 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM |
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