John Harbison, Mary Mackenzie, John Chin, Joe Martin, Dayna Stephens, Dan Rieser's 'I Could End Up Loving You Tonight' came out on December 1, 2015. I Could End Up Loving You Tonight is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in John Harbison, Mary Mackenzie, John Chin's "John Harbison: Songs After Hours" album is number 10 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, I Could End Up Loving You Tonight is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Could End Up Loving You Tonight by John Harbison, Mary Mackenzie, John Chin, Joe Martin, Dayna Stephens, Dan Rieser to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
Clarinet Sonata: I. Grazioso | Leonard Bernstein, Andy Miles, Wayne Marshall | D Major | 1 | 10B | 134 BPM | ||
Full Moon in March: Recitative II | John Harbison, Boston Modern Orchestra Project, Lorraine DiSimone, Anne Harley, Frank Kelley, James Maddalena, Gil Rose | C Major | 0 | 8B | 161 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Quartet in F Minor, Op. 28: II. Adagio | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | D Major | 1 | 10B | 80 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse | Karol Szymanowski, Elizabeth Chang, Steven Beck | E♭ Minor | 2 | 2A | 174 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Sextet in D Minor, Op. 70, TH 118 "Souvenir de Florence": I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Nash Ensemble | D Major | 1 | 10B | 127 BPM |
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