"King Arthur or The British Worthy Suite, Z. 628: II. Aire" by Camerata Rhenania, Hanspeter Gmür was released on January 1, 2009. With King Arthur or The British Worthy Suite, Z. 628: II. Aire being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Purcell: Dido and Aeneas - Abdelazer - King Arthur or The British Worthy Suite". In this album, this song's track order is #18. King Arthur or The British Worthy Suite, Z. 628: II. Aire is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King Arthur or The British Worthy Suite, Z. 628: II. Aire by Camerata Rhenania, Hanspeter Gmür having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 lire organizzate in F Major, Hob VIIh:4: II. Andante | Hanspeter Gmür, Camerata Rhenania | C Major | 0 | 8B | 96 BPM | ||
Ballet music for Strings | Jean-Baptiste Lully, Hanspeter Gmür, Camerata Rhenania | C Major | 3 | 8B | 86 BPM | ||
La capricieuse, Op. 17 | Edward Elgar, Ruggiero Ricci, Ernest Lush | E Minor | 3 | 9A | 92 BPM | ||
Concerto grosso Op. 3 No. 6 in D major / D minor: Concerto grosso Op. 3 No. 6 in D major / D minor: I | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Major | 2 | 3B | 109 BPM | ||
Suite for String Orchestra & Basso Continuo in D minor "Old Dance": Sarabande | Genadi Cherkasov, Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory | D Minor | 1 | 7A | 86 BPM | ||
Konzert für zwei Flöten, Streicher und Cembalo, RV 533 | Musici di San Marco, Alberto Lizzio | F♯ Major | 1 | 2B | 115 BPM | ||
Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Passepied | I Musici Di San Marco, Alberto Lizzio | F Major | 0 | 7B | 65 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 90 BPM | ||
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
Concerto in C Major für Viola und Orchester: I. Largo | Capella Istropolitana, Paul Kantschieder | G Major | 1 | 9B | 101 BPM |
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