"Katya Kabanova, JW I/8, Act II Scene 2: "Choď si, dívka, do času"" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Magdalena Kozená was released on February 23, 2024. The duration of Katya Kabanova, JW I/8, Act II Scene 2: "Choď si, dívka, do času" is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Katya Kabanova, JW I/8, Act II Scene 2: "Choď si, dívka, do času"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 9 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Katya Kabanova, JW I/8, Act II Scene 2: "Choď si, dívka, do času" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katya Kabanova, JW I/8, Act II Scene 2: "Choď si, dívka, do času" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Magdalena Kozená to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Young Person's Guide to the Orchestra, Op. 34: V. Variations J-L, Brass. L'istesso tempo - Vivace - Allegro pomposo | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | E Major | 5 | 12B | 136 BPM | ||
Messiaen: Éclairs sur l'au-delà...: X. Le chemin de l'invisible | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | A♭ Major | 0 | 4B | 93 BPM | ||
Argentum | Dani Howard, Royal Liverpool Philharmonic Orchestra, Michael Seal | A Major | 2 | 11B | 141 BPM | ||
Concerto pour piano et orchestre No. 2 en Si majeur, Op. 83, 4ème Mouvement | Johannes Brahms, Julius Katchen, London Symphony Orchestra, Janos Ferencsik | B♭ Major | 2 | 6B | 105 BPM | ||
Lyric Pieces, Op. 43: No. 1, Butterfly (Schmetterling, Papillon) - Welte-Mignon 1005 | Edvard Grieg, Paula Stebel, Peter Phillips | F♯ Minor | 0 | 11A | 69 BPM | ||
Grieg: 4 Norwegian Dances, Op. 35: No. 2 in A Major, Allegretto tranquillo e grazioso | Edvard Grieg, Alexandre Tharaud, Víkingur Ólafsson | A♭ Major | 1 | 4B | 109 BPM | ||
A Musical Portrait of Chuck Close: Movement I | Philip Glass, Feico Deutekom | A Minor | 3 | 8A | 99 BPM | ||
Spring Symphony, Op. 44, Part I: The Morning Star (Chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus | D Major | 2 | 10B | 148 BPM | ||
The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace) | Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 118 BPM |
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