P.D.Q.Bach, Christopher O'Riley's 'The Short-Tempered Clavier: II. C Minor' came out on August 1, 1995. With The Short-Tempered Clavier: II. C Minor being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, The Short-Tempered Clavier: II. C Minor's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Short-Tempered Clavier: II. C Minor by P.D.Q.Bach, Christopher O'Riley having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Indiana Jones and the Last Crusade: Scherzo for Motorcycle and Orchestra | Danish National Symphony Orchestra, Christian Schumann | D Minor | 5 | 7A | 87 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Mini Sleeping Beauty | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
Concertino für Tuba und Klavier: I. Bewegt | Joseph Bartz, Hans Tönnies | E♭ Major | 0 | 5B | 94 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM | ||
Mad Song: II. Lo! To the Vault of Paved Heaven... | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag | F Major | 1 | 7B | 171 BPM |
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