"Otello: Mia madre aveva una povera ancella (Act 4)" by Montserrat Caballé was released on March 3, 2003. Since Otello: Mia madre aveva una povera ancella (Act 4) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Montserrat Caballé's "Great Moments Of Montserrat Caballe" album is number 14 out of 48. On top of that, United Kingdom appears to be the country where this track was created. Otello: Mia madre aveva una povera ancella (Act 4) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Otello: Mia madre aveva una povera ancella (Act 4) by Montserrat Caballé to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When I Have Sung My Songs to You | Meryl Streep, London Metropolitan Orchestra, Terry Davies | F Major | 1 | 7B | 76 BPM | ||
Caballero del Alto Plumero | Guillermo Fernández-Shaw, Romero, Federico Moreno Torroba, Montserrat Caballé, Eugenio Mario Marco | F♯ Major | 5 | 2B | 84 BPM | ||
We Are The Campions (Somos Los Campeones) | The Manchester Symphony Orchestra and The Scottish Choral Society | F Major | 3 | 7B | 99 BPM | ||
No Quiero Que Sepa Que Aqui Vengo Yo | Guillermo Perrin, Miguel de Palacios, Amadeo Vives, Montserrat Caballé, Eugenio Mario Marco | E♭ Major | 3 | 5B | 178 BPM | ||
New York, New York | Liza Minnelli | D♭ Major | 4 | 3B | 108 BPM | ||
Chiquitita - Live | ABBA | A Major | 5 | 11B | 88 BPM | ||
Gloria - Arr. Edwards/Hirschfelder | Jeffrey Crellin, Geoffrey Payne, Choir, Orchestra, Ricky Edwards | D Major | 4 | 10B | 59 BPM | ||
Act II: Barcarolle: Belle nuit | Jacques Offenbach, Anton Guadagno | D Major | 1 | 10B | 114 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Mozart: Symphony No. 40 in G Minor, K. 550: I. Allegro moderato | Wolfgang Amadeus Mozart, Waldo De Los Ríos, Orquesta Manuel de Falla | G Minor | 7 | 6A | 99 BPM |
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