Agustín Barrios Mangoré, John Williams made "Preludio en do menor" available on 1995. The duration of Preludio en do menor is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Preludio en do menor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Great Paraguayan". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Preludio en do menor is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Preludio en do menor by Agustín Barrios Mangoré, John Williams having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Danzas Peregrinas: No. 4. Mercado testaccio (arr. J.M. Tobar) | Horacio Salinas, J.M. Tobar, John Williams, Horacio Duran, English Chamber Orchestra, Paul Daniel | E Minor | 3 | 9A | 125 BPM | ||
Pièces de Clavecin, Book 2, Ordre VI: No. 5, Les baricades mistérieuses | François Couperin, John Williams | C Major | 1 | 8B | 90 BPM | ||
Scherzo - Vals | Miguel Llobet Solés, Lorenzo Micheli | D Major | 1 | 10B | 63 BPM | ||
Sainz de la Maza: Zapateado | Regino Sáinz de la Maza, Thibaut García | E Major | 1 | 12B | 135 BPM | ||
Cancion | Aldo Rodríguez, Marco Tamayo | A Minor | 0 | 8A | 110 BPM | ||
Suite espanola No. 1, Op. 47 (arr. N. Kraft): Sevilla | Norbert Kraft, Isaac Albéniz | G Major | 1 | 9B | 118 BPM | ||
Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
Koyunbaba, Op. 19: III. Cantabile | Carlo Domeniconi, Celil Refik Kaya | F♯ Minor | 0 | 11A | 116 BPM | ||
3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM |
Section: 0.9542865753173828
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