Pepe Cibrián Campoy, Angel Mahler, Juan Rodó, Luz Yacianci, Georgina Reynaldi, Karina Saez, Martín Selle, Carlos Pérez, Lorena Garcia, Roberto Peloni's 'Venganza' came out on January 1, 2000. The duration of Venganza is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Venganza's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pepe Cibrián Campoy, Angel Mahler's "Las Mil y Una Noches" album is number 11 out of 18. On top of that, Argentina appears to be the country where this track was created. Based on our statistics, Venganza's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Venganza by Pepe Cibrián Campoy, Angel Mahler, Juan Rodó, Luz Yacianci, Georgina Reynaldi, Karina Saez, Martín Selle, Carlos Pérez, Lorena Garcia, Roberto Peloni to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No Surrender | Aaron Woodhouse, Epikus | F Minor | 6 | 4A | 120 BPM | ||
María de Buenos Aires, Pt. 1: Alevare | Astor Piazzolla, Daniel Bonilla-Torres, Christopher Sprenger, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise, Bonn Beethoven Orchestra | A Minor | 3 | 8A | 120 BPM | ||
Sálvalo | Elenco original de Madrid | A Major | 1 | 11B | 75 BPM | ||
I Am The Monster | Kai | E♭ Major | 6 | 5B | 79 BPM | ||
Curtain Act 2 | Fiddler on the Roof 2018 Orchestra | C Major | 0 | 8B | 0 BPM | ||
When my love returns | Peter Eksell | A Major | 4 | 11B | 75 BPM | ||
Tosca: Vissi d'arte - Remasterizado 2003 | Tania Libertad | E♭ Major | 4 | 5B | 87 BPM | ||
Rock a Bye, Baby | Carmen Schubert Sopran, Riccardo Gunder Klavier | D♭ Major | 4 | 3B | 60 BPM | ||
Here On Who | Amelia Morgan-Rothschild, Brian Michael Hoffman, Josh Walden, Michael Wartella | A Major | 4 | 11B | 133 BPM | ||
Hold It Together | Ada Westfall, Shaina Taub, Kim Blanck, Ally Bonino, Nadia Dandashi, Tsilala Brock, Jenn Colella, Jaygee Macapugay, Nikki M. James, Anastaćia McCleskey | C Major | 2 | 8B | 77 BPM |
Section: 0.578514814376831
End: 0.5820174217224121