"Caprice sur des airs danois et russes, Op. 79" by Camille Saint-Saëns, Joanna G'froerer, Charles Hamann, Kimball Sykes, Stephane Lemelin was released on December 14, 2010. Caprice sur des airs danois et russes, Op. 79 appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Saint-Saens: Music for Wind Instruments". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Caprice sur des airs danois et russes, Op. 79 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Caprice sur des airs danois et russes, Op. 79 by Camille Saint-Saëns, Joanna G'froerer, Charles Hamann, Kimball Sykes, Stephane Lemelin having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM | ||
The Swan | Leopold Godowsky, Camille Saint-Saëns, Joseph Moog | A♭ Major | 0 | 4B | 69 BPM |
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