"Drei gestliche Gesange, Op. 69: III. Abendlied. Bleib bei uns" by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale was released on October 1, 2007. With this song being about 5 minutes long, at 4:34, "Drei gestliche Gesange, Op. 69: III. Abendlied. Bleib bei uns" by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Rheinberger: Oster-Hymne, Vier sechsstimmige Motetten & Mass". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Drei gestliche Gesange, Op. 69: III. Abendlied. Bleib bei uns's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Drei gestliche Gesange, Op. 69: III. Abendlied. Bleib bei uns by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen) | Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano | F Major | 1 | 7B | 107 BPM | ||
Now, Oh Now I Needs Must Part | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Ungewitter | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | F♯ Minor | 1 | 11A | 166 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Cherubic Hymn, No. 7 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | D Major | 1 | 10B | 86 BPM | ||
O Jesu Christ, mein Lebens Licht, BWV 118 | Johann Sebastian Bach, The Norwegian Soloists' Choir, Ensemble Allegria, Grete Pedersen | B♭ Major | 1 | 6B | 95 BPM |
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