Orchestral Suite No. 1 in C Major, BWV 1066: V. Forlane - Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel Information

Acousticness: 85%
Danceability: 37%
Energy: 9%
Instrumentalness: 0%
Liveness: 14%
Loudness: 62%
Speechiness: 4%
Valence: 29%
Popularity: 6%
Loudness: -22.789 dB

Summary

Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel's 'Orchestral Suite No. 1 in C Major, BWV 1066: V. Forlane' came out on January 1, 1986. With Orchestral Suite No. 1 in C Major, BWV 1066: V. Forlane being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 29 in Bach, J.S.: Overtures and Suites by Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Orchestral Suite No. 1 in C Major, BWV 1066: V. Forlane's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orchestral Suite No. 1 in C Major, BWV 1066: V. Forlane BPM

The tempo marking of Orchestral Suite No. 1 in C Major, BWV 1066: V. Forlane by Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Orchestral Suite No. 1 in C Major, BWV 1066: V. Forlane Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
I. Was willst du dich betrüben (Chorus)	Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln	A♭ Major	2	4B	92 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana	Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi	F♯ Minor	1	11A	129 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf	Edvard Grieg, Alice Sara Ott	D Major	2	10B	121 BPM
Cello Concerto in C Major, RV 398: II. Largo	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	A Minor	0	8A	115 BPM
Sonata in A Minor, L 241	Domenico Scarlatti, Vladimir Horowitz	E Minor	0	9A	79 BPM
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro	George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown	G Minor	4	6A	120 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Keyboard Sonata in D Minor, Kk. 1	Domenico Scarlatti, Ivo Pogorelich	D Minor	1	7A	107 BPM

ISRC: DEF058500914
Label: L-M Records/RCA Records

Section: 0.6936156749725342

End: 0.6990759372711182