Charles Koechlin, Joël Versavaud, Laura Caravello's '15 Etudes for Alto Saxophone & Piano, Op. 188: No. 2. Pour les sons lies et le charme de la sonorite' came out on September 4, 2015. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 21 in Croquembouches by Joël Versavaud, Laura Caravello. 15 Etudes for Alto Saxophone & Piano, Op. 188: No. 2. Pour les sons lies et le charme de la sonorite is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 15 Etudes for Alto Saxophone & Piano, Op. 188: No. 2. Pour les sons lies et le charme de la sonorite by Charles Koechlin, Joël Versavaud, Laura Caravello is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 80 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Deux_parties._Deux_notes_contre_une._Mineurs C | Pablo Lecavalier-Ruiz, Charles Koechlin | C Major | 0 | 8B | 105 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
In einer Nacht, Op. 15: No. 2, Sehr langsam - Musical Moments | Paul Hindemith, Elisabeth Brauß | D♭ Minor | 0 | 12A | 100 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM |
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