Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master)
Richard Strauss, Rudolf Kempe, Staatskapelle Dresden
R. Strauss: Ariadne auf Naxos
1:08 1992
BPM
76
Key
D♭ Major
Camelot
3B

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Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master) - Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Information

Acousticness
96%
Danceability
18%
Energy
28%
Instrumentalness
18%
Liveness
12%
Loudness
77%
Speechiness
4%
Valence
6%
Popularity
Loudness
-14.024 dB

Summary

"Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master)" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden was released on 1992. With Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master) being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "R. Strauss: Ariadne auf Naxos". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master) BPM

With Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master) by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master) Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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ISRC
GBAYC9200494
Label
L-M Records/RCA Records

Section: 0.7525215148925781

End: 0.7561945915222168