"Symphony No. 2 In D Major, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso" by Johannes Brahms, Boston Symphony Orchestra, Seiji Ozawa was released on October 20, 2017. Since Symphony No. 2 In D Major, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Brahms: Symphony No. 2 In D Major, Op. 73 / Rossini: Overture From "Semiramide" / Paganini: Moto perpetuo, Op.11 by Boston Symphony Orchestra, Seiji Ozawa. Symphony No. 2 In D Major, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 2 In D Major, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso by Johannes Brahms, Boston Symphony Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in A Minor, Op. 13, MWV R22: IV. Presto | Felix Mendelssohn, Emerson String Quartet | A Major | 5 | 11B | 83 BPM | ||
Gymnopédie No. 2 for Orchestra | Erik Satie, Serge Koussevitzky, Boston Symphony Orchestra | G Major | 1 | 9B | 95 BPM | ||
String Quintet No. 2 in G, Op. 111: 4. Vivace ma non troppo presto | Johannes Brahms, Gérard Caussé, Hagen Quartett | G Major | 1 | 9B | 115 BPM | ||
Fantasia No. 4 in F Major. Langsam | Anton Bruckner, Francesco Pasqualotto | F Major | 0 | 7B | 85 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Symphony in C Major, Op. 46: III. Presto | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | G Major | 1 | 9B | 87 BPM | ||
Smetana: String Quartet No. 1 in E Minor "From My Life": I. Allegro vivo appassionato | Bedřich Smetana, Alban Berg Quartett | F Major | 2 | 7B | 124 BPM | ||
Concerto for Viola & Orchestra: II. Vivo con molto preciso | William Walton, Yuri Bashmet, André Previn, London Symphony Orchestra | A Minor | 2 | 8A | 136 BPM | ||
Shostakovich: Violin Concerto No. 2 in C-Sharp Minor, Op. 129: II. Adagio | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza | Dmitri Shostakovich, Mstislav Rostropovich, Hugh Seenan, Seiji Ozawa, London Symphony Orchestra | D Minor | 0 | 7A | 81 BPM |
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