"Piano Concerto No. 21 in C Major, K457: 1. Allegro maestoso" by Wolfgang Amadeus Mozart, Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra was released on September 2, 2016. Piano Concerto No. 21 in C Major, K457: 1. Allegro maestoso appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Proms Music 2016, Vol. 9". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Piano Concerto No. 21 in C Major, K457: 1. Allegro maestoso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 21 in C Major, K457: 1. Allegro maestoso by Wolfgang Amadeus Mozart, Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: XIV. Communio | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Rachel Yakar, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Mozart: Requiem in D Minor, K. 626: I. Introitus | Wolfgang Amadeus Mozart, Michel Corboz, Efrat Ben Nun, Ensemble Vocal de Lausanne, Orchestre de Chambre de Genève | G Major | 0 | 9B | 109 BPM | ||
Piano Sonata No. 15 in F Major, K. 533: III. Rondo: Allegretto, K. 494 | Wolfgang Amadeus Mozart, William Youn | F Major | 1 | 7B | 137 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Sinfonia concertante for Violin, Viola and Orchestra in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Gordan Nikolić, Julia Fischer, Netherlands Chamber Orchestra, Yakov Kreizberg | C Minor | 1 | 5A | 78 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM |
Section: 0.6022064685821533
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