"Sonata for Cello and Piano in A Major: I. Allegretto ben moderato" by César Franck, Sandra Lied Haga, Katya Apekisheva was released on April 28, 2023. Sonata for Cello and Piano in A Major: I. Allegretto ben moderato is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Rita Strohl: Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano - César Franck: Sonata for Cello and Piano in A Major". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. Sonata for Cello and Piano in A Major: I. Allegretto ben moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Cello and Piano in A Major: I. Allegretto ben moderato by César Franck, Sandra Lied Haga, Katya Apekisheva having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passacaglia (Version for Cello & Piano) | Rebecca Clarke, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Abbey Road concerto for Violin and Orchestra: X. Because | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Porgy and Bess: Summertime (Arr. for Violin and Piano by Heifetz) | George Gershwin, 대니 구(Danny Koo) | B Minor | 1 | 10A | 168 BPM | ||
Romance, Op. 69 | Gabriel Fauré, Bruno Philippe, Tanguy de Williencourt | A Major | 1 | 11B | 77 BPM | ||
You'l Tear Your Dress | Bret Williams | A Minor | 2 | 8A | 92 BPM | ||
Sonata No. 2 op. 36 in B flat Minor (First Version, 1913): II. Non allegro - Lento | Sergei Rachmaninoff, Alessandro Mazzamuto | E Minor | 0 | 9A | 63 BPM | ||
Marionettes, No. 2: La Poupée valsante (Arr. Kreisler) | Mak Ka-Lok, Alexandra Kouznetsova, Nison Kravets, Eremey Tsukerman, Lilia Lukianenko, Vladimir Rora, Alexander Konsistorum, Anatoly Lukiyanenko, Andrei Stepine, Hung Chi-Mei | D Major | 3 | 10B | 91 BPM | ||
Clarinet Sonata, FP 184: II. Romanza. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Franck: Variations symphoniques, FWV 46: II. Allegretto quasi andante | César Franck, Paavo Berglund, Sylvia Kersenbaum, Bournemouth Symphony Orchestra | D♭ Major | 3 | 3B | 91 BPM | ||
Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM |
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