Johann Jakob Froberger, Gustav Leonhardt made "Suite XV in A Minor: Courante" available on 1962. With Suite XV in A Minor: Courante being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Jakob Froberger, Gustav Leonhardt's "Leonhardt Edition Vol.13 - J. Bull / J.J. Froberger" album is number 15 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite XV in A Minor: Courante is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite XV in A Minor: Courante by Johann Jakob Froberger, Gustav Leonhardt to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour orgue | Johann Sebastian Bach, Clément Geoffroy, Loris Barrucand | B Minor | 7 | 10A | 115 BPM | ||
Consort Music: Fantasy - Alman - Ayre | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 0 | 4A | 101 BPM | ||
VII. Ei nun, mein Gott, so fall ich (Recitative & Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM | ||
Scarlatti, D: Keyboard Sonata in E Major, Kk. 380 | Domenico Scarlatti, Scott Ross | A Major | 5 | 11B | 106 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Ascanio, Sinfonia: II. [Sarabande] | Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |
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