- BPM
- 62
- Key
- D♭ Major
- Camelot
- 3B
Die Zauberflöte, K. 620 (Excerpts Arr. for Flute & Guitar): Der Vogelfänger bin ich ja - Wolfgang Amadeus Mozart, Bernhard Bohm, Jürgen Hübscher Information
- Acousticness
- 99%
- Danceability
- 33%
- Energy
- 2%
- Instrumentalness
- 96%
- Liveness
- 10%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 34%
- Popularity
- 0%
- Loudness
- -30.493 dB
Summary
Wolfgang Amadeus Mozart, Bernhard Bohm, Jürgen Hübscher's 'Die Zauberflöte, K. 620 (Excerpts Arr. for Flute & Guitar): Der Vogelfänger bin ich ja' came out on July 24, 2020. The duration of Die Zauberflöte, K. 620 (Excerpts Arr. for Flute & Guitar): Der Vogelfänger bin ich ja is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Die Zauberflöte, K. 620 (Excerpts Arr. for Flute & Guitar): Der Vogelfänger bin ich ja's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Der Vogelfänger bin ich ja: Mozart for Flute & Guitar by Wolfgang Amadeus Mozart, Bernhard Bohm, Jürgen Hübscher. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Die Zauberflöte, K. 620 (Excerpts Arr. for Flute & Guitar): Der Vogelfänger bin ich ja is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Zauberflöte, K. 620 (Excerpts Arr. for Flute & Guitar): Der Vogelfänger bin ich ja BPM
The tempo marking of Die Zauberflöte, K. 620 (Excerpts Arr. for Flute & Guitar): Der Vogelfänger bin ich ja by Wolfgang Amadeus Mozart, Bernhard Bohm, Jürgen Hübscher is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Die Zauberflöte, K. 620 (Excerpts Arr. for Flute & Guitar): Der Vogelfänger bin ich ja Key
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | |
 | Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | |
 | Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | |
| Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM | |
 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | |
 | Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | |
 | Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | |
 | Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | C Major | 1 | 8B | 119 BPM | |
 | 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM |
- ISRC
- DEB909100303
- Label
- L-M Records/RCA Records
Section: 0.7630856037139893
End: 0.7682063579559326