Julius Burger, Joseph Schmidt, Lajos Kiss Zigeunerorchester, Lajos Kiss's 'Zigeunerlied' came out on May 6, 2014. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Schmidt's "Joseph Schmidt: The Complete Recordings, Vol. 1 (Recorded 1929-1930) [Remastered 2014]" album is number 16 out of 24. On top of that, Germany appears to be the country where this track was created. Zigeunerlied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zigeunerlied by Julius Burger, Joseph Schmidt, Lajos Kiss Zigeunerorchester, Lajos Kiss to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Carmen - Il Fior Che Avevi Ame Tu Dato | Miguel Fleta | D♭ Major | 2 | 3B | 82 BPM | ||
Puts: The Hours, Act 1: "Clarissa! - Barbara!" (Barbara, Clarissa, Chorus, Virginia, Leonard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kathleen Kim, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Rigoletto: Act III: La donna e mobile | Giuseppe Verdi, Piero Cappuccilli, Nicolai Gedda, Munich Radio Orchestra, Kurt Peter Eichhorn | F♯ Major | 1 | 2B | 81 BPM | ||
Il corsaro: Ah sì, ben dite - Tutto parea sorridere - Pronti siate a seguitarmi | Giuseppe Verdi, Michael Fabiano, London Voices, London Philharmonic Orchestra, Enrique Mazzola | A♭ Major | 2 | 4B | 78 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | ||
Ein Winterabend | Julius Burger, Ryan Hugh Ross, Nicola Rose | A Major | 1 | 11B | 107 BPM | ||
Förklädd gud, Op. 24: Välsignelse följer i gudarnas spår … (Chorus) | Mark Levengood, Charlotta Larsson, Gunnar Birgersson, Enskede Kammarkor, Swedish Radio Symphony Orchestra, Eva Karpe | C Major | 1 | 8B | 103 BPM |
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