"Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto)" by René Jacobs, Alan Curtis, Il Complesso Barocco was released on 1978. The duration of Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in René Jacobs, Alan Curtis's "Handel - Admeto, re di Tessaglia" album is number 1 out of 75. On top of that, Germany appears to be the country where this track was created. Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) by René Jacobs, Alan Curtis, Il Complesso Barocco to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | ||
St. John Passion, BWV 245, Part 2: No. 39, Chorus "Ruht wohl, ihr heiligen Gebeine" | Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 2 | 10A | 78 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act II, Chorus "In our deep vaulted cell" | Henry Purcell, Dominique Visse, Susan Bickley, Rosemary Joshua, Lynne Dawson, Stephen Wallace, René Jacobs, Orchestra of the Age of Enlightenment, John Bowen, Gerald Finley, Maria Cristina Kiehr, Robin Blaze | E Major | 1 | 12B | 170 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 3. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | D Major | 2 | 10B | 81 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Brockes-Passion, II. Teil: 53. Rezitativ (Evangelist, Jesus) "Wie nun Pilatus Jesum fragt" / ... / 55. Rezitativ (Pilatus, Evangelist) "Hast du denn kein Gehör?" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, René Jacobs, RIAS Kammerchor, Daniel Behle, Donat Havar, Johannes Weisser | F♯ Major | 2 | 2B | 101 BPM | ||
Brockes-Passion, TWV 5:1, II. Teil: 79. Arie: Tochter Zion. "Schäumest du, du Schaum der Welt" / 80. Rezitativ: Evangelist. "Worauf sie mit dem Rohr" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Daniel Behle, René Jacobs, Brigitte Christensen | A♭ Major | 3 | 4B | 116 BPM |
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