Gerald Barry, Peter Tantsits, Alan Ewing, Joseph Hart, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian (Live)" was released on its scheduled release date, November 4, 2014. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 29 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian (Live) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian (Live) by Gerald Barry, Peter Tantsits, Alan Ewing, Joseph Hart, Birmingham Contemporary Music Group, Thomas Adès to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Ludger Remy | D♭ Major | 2 | 3B | 107 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale (The Dargason) | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | C Major | 2 | 8B | 81 BPM | ||
Schubert: Erlkönig, Op. 1, D. 328 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Minor | 0 | 3A | 76 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, George Szell, Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM | ||
In the Asylum (Arr. for Violin, Cello & Piano) | Gerald Barry, Fidelio Trio | B Major | 4 | 1B | 87 BPM | ||
Alice's Adventures Under Ground: Jabberwocky In Russian | Gerald Barry, Claudia Boyle, Clare Presland, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Alan Ewing, Andre de Ridder, Irish National Opera, Irish Chamber Orchestra | C Major | 7 | 8B | 113 BPM | ||
Alice's Adventures Under Ground: The Lobster-Quadrille | Gerald Barry, Clare Presland, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Alan Ewing, Andre de Ridder, Irish National Opera, Irish Chamber Orchestra | G Major | 2 | 9B | 129 BPM | ||
The Little Nigar: Le petit negre (The Little Negro) | Claude Debussy, François-Joël Thiollier | E♭ Major | 0 | 5B | 67 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM |