"Canzone IV: Canoni, oblighi et sonate in varie maniera sopra Ave Maris Stella, (Palerme)" by Giovanni Pietro del Buono, Dominique Moaty, Emmanuelle Guigues, Marie Langlet, Pierre Cazès was released on February 15, 2005. The duration of Canzone IV: Canoni, oblighi et sonate in varie maniera sopra Ave Maris Stella, (Palerme) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Canzone IV: Canoni, oblighi et sonate in varie maniera sopra Ave Maris Stella, (Palerme)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dominique Moaty, Emmanuelle Guigues, Marie Langlet, Pierre Cazès's "Motets à la Vièrge" album is number 4 out of 18. On top of that, France appears to be the country where this track was created. Canzone IV: Canoni, oblighi et sonate in varie maniera sopra Ave Maris Stella, (Palerme) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canzone IV: Canoni, oblighi et sonate in varie maniera sopra Ave Maris Stella, (Palerme) by Giovanni Pietro del Buono, Dominique Moaty, Emmanuelle Guigues, Marie Langlet, Pierre Cazès to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Salvator Mundi | Herbert Howells, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
Missa Noe Noe: II. Gloria | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | D Minor | 1 | 7A | 124 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Canoni, oblighi et sonate in varie maniere sopra l'Ave maris stella: No. 84, Canone ultimo a 5 voci. Di molto studio | Giovanni Pietro del Buono, Symposium Musicum | A Minor | 1 | 8A | 126 BPM | ||
Sheppard: Missa Cantate - 2e. Qui propter nos homines | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 95 BPM | ||
Godi turba mortal | Emilio de' Cavalieri, Theatro dei Cervelli, Andrés Locatelli | G Major | 0 | 9B | 94 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM |
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