Emanuel Geibel, Robert Schumann, Edda Moser's 'Schumann: Spanisches Liederspiel, Op. 74: No. 9, Ich bin geliebt, "Mögen alle bösen Zungen" (Sehr lebhaft)' came out on April 5, 2013. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #9. In terms of popularity, Schumann: Spanisches Liederspiel, Op. 74: No. 9, Ich bin geliebt, "Mögen alle bösen Zungen" (Sehr lebhaft) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schumann: Spanisches Liederspiel, Op. 74: No. 9, Ich bin geliebt, "Mögen alle bösen Zungen" (Sehr lebhaft) by Emanuel Geibel, Robert Schumann, Edda Moser having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 3 - "Belsatzar" und zwei weitere Balladen | Heinrich Heine, Emanuel Geibel, Christian Rode | A♭ Major | 2 | 4B | 194 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 6, Gangar (etter Myllarguten). Allegretto e marcato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
"Belsatzar" und zwei weitere Balladen, Kapitel 2 | Heinrich Heine, Emanuel Geibel | A♭ Major | 2 | 4B | 194 BPM | ||
Winterreise, D. 911: No. 20, Der Wegweiser | Franz Schubert, Andrè Schuen, Daniel Heide | D♭ Major | 0 | 3B | 77 BPM | ||
8 Nocturnes, Op. 368: No. 2, Andantino animato | Carl Czerny, Roberte Mamou | E♭ Major | 0 | 5B | 169 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM | ||
Winterreise, D. 911: No. 7, Auf dem Flusse | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM | ||
6 Lieder, Op. 31: No. 1. Es muss was Wunderbares sein | Franz Ries, Oskar von Redwitz, Äneas Humm, Judit Polgar | E♭ Major | 0 | 5B | 82 BPM | ||
Unfinished Accel World | Satoshi Yaginuma, Animenzz | A♭ Major | 4 | 4B | 131 BPM | ||
Symphony No. 1, Op. 11: II. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |
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