"A Shropshire Lad: The Lads in Their Hundreds" by George Butterworth, Bryn Terfel, Malcolm Martineau was released on January 1, 1995. The duration of A Shropshire Lad: The Lads in Their Hundreds is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. A Shropshire Lad: The Lads in Their Hundreds's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 28 in Bryn Terfel - The Vagabond by Bryn Terfel, Malcolm Martineau. Based on our statistics, A Shropshire Lad: The Lads in Their Hundreds's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Shropshire Lad: The Lads in Their Hundreds by George Butterworth, Bryn Terfel, Malcolm Martineau is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Chanson de nuit | Edward Elgar, Nicholas Cleobury | G Major | 1 | 9B | 67 BPM | ||
Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
Piano Concerto No. 27 in B-Flat Major, K. 595: II. Larghetto | Wolfgang Amadeus Mozart, Sophie-Mayuko Vetter, Hamburger Symphoniker, Peter Ruzicka | D♭ Major | 4 | 3B | 128 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
Sospiri Op. 70 | Edward Elgar, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | F Major | 0 | 7B | 78 BPM |
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