"Pictures at an Exhibition: III. Tuileries" by Modest Mussorgsky, Steven Osborne had its release date on January 27, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Steven Osborne's "Mussorgsky: Pictures from an Exhibition; Prokofiev: Visions Fugitives & Sarcasms" album is number 6 out of 41. On top of that, United Kingdom appears to be the country where this track was created. Pictures at an Exhibition: III. Tuileries is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: III. Tuileries by Modest Mussorgsky, Steven Osborne to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude in D-Flat Major, Op. 1 "Ondine" | Anton Rubinstein, Lydia Maria Bader | B♭ Major | 2 | 6B | 137 BPM | ||
48 Esquisses, Op. 63, Book 3: No. 31, Début de quatuor | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Grünfeld: Soirée de Vienne, Op. 56 (Paraphrase on Waltz Motives from Johann Strauss’ Die Fledermaus) | Alfred Grünfeld, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Papillons, Op. 2: No. 8 in C-Sharp Minor | Robert Schumann, Marc-André Hamelin | A Major | 1 | 11B | 77 BPM | ||
Ashes of Roses (Valse Elegante) - Due-Art 70036 | Robert Goldbeck, Peter Phillips, Genevieve Pitot | D Major | 0 | 10B | 129 BPM | ||
On an Overgrown Path, Book 1, JW VIII/17: No. 1, Naše večery | Leoš Janáček, Jennifer Elowsky-fox | B♭ Minor | 0 | 3A | 92 BPM | ||
Danse Negre, Op. 58, No.5 - Duo-Art 5796 | Cyril Scott, Peter Phillips, Carolyne Cone Baldwin | A♭ Major | 1 | 4B | 67 BPM | ||
Lapsi, onnellisin mielin | Minna Erkkilä, SRK Instrumentaali, Aaron Ahola | B♭ Minor | 2 | 3A | 67 BPM | ||
Boris Godounov / Act 4: Odnazhdy, v vecherniy chas | Modest Mussorgsky, Martti Talvela, Nicolai Ghiaurov, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 80 BPM | ||
Valse-caprice No. 4 in A-Flat Major, Op. 62 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM |