"Concerto for two oboes in C Major, Op. 7 No. 5: II. Adagio" by Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham was released on October 1, 1997. With Concerto for two oboes in C Major, Op. 7 No. 5: II. Adagio being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 26 in Albinoni: Double Oboe & String Concertos, Vol. 1 by Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Concerto for two oboes in C Major, Op. 7 No. 5: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for two oboes in C Major, Op. 7 No. 5: II. Adagio by Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: IV. Vivace | Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo | B♭ Major | 3 | 6B | 111 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
Concerto for two oboes in C Major, Op. 7 No. 5: I. Allegro | Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham | D♭ Major | 2 | 3B | 124 BPM | ||
Concerto for 2 Oboes and String Orchestra in D Major, Op. 7 No. 8: I. Allegro | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 114 BPM | ||
Sinfonia in C major, RV 112: III. Presto | Karoly Botvay | C Major | 2 | 8B | 116 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM |
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