Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa - Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra Information

Acousticness: 99%
Danceability: 17%
Energy: 20%
Instrumentalness: 95%
Liveness: 18%
Loudness: 76%
Speechiness: 4%
Valence: 4%
Popularity: 3%
Loudness: -14.482 dB

Summary

"Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa" by Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra was released on February 1, 2020. The duration of Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa's duration is considered a little bit shorter than the average duration of a typical track. The song is number 33 out of 50 in Classical Music by Various Artists. In terms of popularity, Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa BPM

The tempo marking of Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa by Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa Key

The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto	Robert Schumann, Mikhail Pletnev	D♭ Minor	1	12A	69 BPM
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21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	A Minor	0	8A	76 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
Sinfonia in E major, RV 132: II. Andante	Karoly Botvay	A Major	0	11B	79 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses	François Couperin, Alexandre Tharaud	B♭ Major	1	6B	111 BPM
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe	Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien	B Major	1	1B	86 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	3	7A	101 BPM
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro"	Franz Liszt, Daniil Trifonov	D♭ Major	1	3B	76 BPM
Valse triste, Op. 44	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	78 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8775761127471924

End: 0.8832488059997559