"Nocturne No. 7 in C-Sharp Minor" by Carlos Marquez was released on January 12, 2014. The duration of Nocturne No. 7 in C-Sharp Minor is about 3 minutes long, at 3:05. Based on our data, "Nocturne No. 7 in C-Sharp Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Stephan Beneking: 10 Nocturnes - 12 Valkyries". In this album, this song's track order is #7. Based on our statistics, Nocturne No. 7 in C-Sharp Minor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nocturne No. 7 in C-Sharp Minor by Carlos Marquez having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Intermezzo No. 1 in E Minor | Manuel Ponce, Lang Lang | E Minor | 1 | 9A | 106 BPM | ||
Chopin: Nocturne No. 2 - slowed + reverb | Classical Slowed + Reverb | D♭ Minor | 0 | 12A | 68 BPM | ||
Prélude, Op. 11 No. 1 | Anatoly Lyadov, Yoko Kikuchi | G Major | 0 | 9B | 69 BPM | ||
La Valse Magique | Eric Christian | B Minor | 3 | 10A | 116 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Shapes of Shadows | Franz Gordon | G Minor | 0 | 6A | 66 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Nocturne in C Sharp Minor No. II | Stephan Beneking, Carlos Marquez | D♭ Minor | 2 | 12A | 105 BPM | ||
Hommage á Bach No. 1: B-A-C-H in B (flat) Minor | Stephan Beneking, Carlos Marquez | B♭ Minor | 2 | 3A | 82 BPM |
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