"Sonate d'intavolatura di leuto, Op. 1, Sonata IX: Sarabanda" by Giovanni Zamboni, Simone Vallerotonda was released on June 10, 2016. With Sonate d'intavolatura di leuto, Op. 1, Sonata IX: Sarabanda being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zamboni: L'ultimo romano. Sonate d'intavolatura di leuto, 1718 by Giovanni Zamboni, Simone Vallerotonda. The song's track number on the album is #9 out of 28 tracks. Sonate d'intavolatura di leuto, Op. 1, Sonata IX: Sarabanda is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonate d'intavolatura di leuto, Op. 1, Sonata IX: Sarabanda by Giovanni Zamboni, Simone Vallerotonda has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sonate d'intavolatura di leuto, Op. 1, Sonata IX: Sarabanda being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute music - Italy: Ricercar XIII | Vincenzo Capirola, Konrad Ragossnig | B♭ Major | 0 | 6B | 86 BPM | ||
Lute Sonata in G Minor, Op. 1, No. 4: I. Largo | Adam Falckenhagen, Andrew Maginley | D♭ Major | 0 | 3B | 139 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
Prélude in C | Jean-Henri d'Anglebert, Andrew Lawrence-King | C Major | 0 | 8B | 71 BPM | ||
Basse dance :La Roque: (Attaingnant) | Edward Martin | C Major | 1 | 8B | 79 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
La Guitarre Royalle: Gigue 'cherie du Roy' | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 1 | 3B | 98 BPM | ||
Correnta quarta | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 1 | 6A | 74 BPM | ||
Gigue de Angelis de Rome | Angelo Michele Bartolotti, Bernhard Hofstötter | D♭ Minor | 2 | 12A | 158 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM |
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