- BPM
- 89
- Key
- C Major
- Camelot
- 8B
G線上のアリア - Johann Sebastian Bach, Prague Chamber Orchestra Information
- Acousticness
- 97%
- Danceability
- 13%
- Energy
- 9%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 11%
- Loudness
- -25.495 dB
Summary
"G線上のアリア" by Johann Sebastian Bach, Prague Chamber Orchestra was released on August 19, 2020. G線上のアリア is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. There is only one song in クラシック人気ベスト30, so we believe that "G線上のアリア" is a single. G線上のアリア is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
G線上のアリア BPM
The tempo marking of G線上のアリア by Johann Sebastian Bach, Prague Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G線上のアリア Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | |
 | Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | |
 | Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | |
 | 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | |
 | Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | |
 | Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | |
 | Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM |
- ISRC
- CZA168721998
- Label
- L-M Records/RCA Records
Section: 0.6138515472412109
End: 0.6181399822235107