赤い鳥's 'サン・ホセへの道' came out on 1970. The duration of サン・ホセへの道 is about 3 minutes long, at 3:01. Based on our data, "サン・ホセへの道" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "RED BIRDS". In this album, this song's track order is #9. Based on our statistics, サン・ホセへの道's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With サン・ホセへの道 by 赤い鳥 having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
無縁坂 | Grape | G Minor | 5 | 6A | 177 BPM | ||
東京ららばい | Rie Nakahara | G Minor | 6 | 6A | 121 BPM | ||
古い日記 | Akiko Wada | A♭ Major | 9 | 4B | 121 BPM | ||
卒業写真 | Junko Yamamoto | D Major | 2 | 10B | 71 BPM | ||
俺たちの朝 | Shigeru Matsuzaki | A Major | 6 | 11B | 74 BPM | ||
予期せぬ出来事 | Akira Terao | D Major | 5 | 10B | 89 BPM | ||
恋人もいないのに | シモンズ | D Major | 6 | 10B | 100 BPM | ||
さらばシベリア鉄道 | Hiromi Ota | D♭ Minor | 7 | 12A | 145 BPM | ||
心の旅 | Tulip | F Major | 6 | 7B | 166 BPM | ||
ふたりは若かった | Kiyohiko Ozaki | B♭ Major | 7 | 6B | 153 BPM |
Section: 0.5469565391540527
End: 0.5512630939483643