Pierre Sandrin, Jordi Savall's 'Sandrin / Arr Ortiz: Recercadas sobre la canción "Doulce Memoire": No. 4 que es quinta voz' came out on March 2, 2018. The duration of Sandrin / Arr Ortiz: Recercadas sobre la canción "Doulce Memoire": No. 4 que es quinta voz is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Sandrin / Arr Ortiz: Recercadas sobre la canción "Doulce Memoire": No. 4 que es quinta voz's duration is considered a little bit shorter than the average duration of a typical track. The song is number 170 out of 195 in España Eterna by Jordi Savall. In terms of popularity, Sandrin / Arr Ortiz: Recercadas sobre la canción "Doulce Memoire": No. 4 que es quinta voz is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sandrin / Arr Ortiz: Recercadas sobre la canción "Doulce Memoire": No. 4 que es quinta voz by Pierre Sandrin, Jordi Savall is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ce fut en mai | Moniot d'Arras, Millenarium | E♭ Major | 1 | 5B | 83 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
Ave Maria…virgo serena à 4 | Josquin des Prez, Cut Circle, Jesse Rodin | F♯ Major | 2 | 2B | 133 BPM | ||
Biber: Requiem a 15 in A Major: VI. Agnus Dei | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 108 BPM | ||
Matachin | Gaspar Sanz, Pierre Pitzl | A♭ Major | 0 | 4B | 126 BPM | ||
Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
Prima die Lectio prima: IX. Viae Sion lugent | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 91 BPM | ||
Messa a quattro voci, SV 190: V. Benedictus | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Laetatus sum I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM |
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