Anonymous , Johann Sebastian Bach, Ida Presti, Alexandre Lagoya's 'French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): VI. Loure' came out on May 6, 2016. The duration of French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): VI. Loure is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): VI. Loure's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anonymous , Ida Presti, Alexandre Lagoya's "Ida Presti & Alexandre Lagoya, Vol. 4" album is number 16 out of 17. In terms of popularity, French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): VI. Loure is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): VI. Loure by Anonymous , Johann Sebastian Bach, Ida Presti, Alexandre Lagoya to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hypakoe (Kontakion of Pascha) | St. Symeon Orthodox Church Octet | F♯ Major | 2 | 2B | 116 BPM | ||
Libera me Responsorium (Trauerliturgie) | Choir Of St. Abuscus | C Major | 2 | 8B | 69 BPM | ||
Gloria V - In Nativitate Domini ad Missam in die | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | B Minor | 0 | 10A | 84 BPM | ||
Missa De Angelis - E Canti Dell' Anno Liturgico: Adoro Te Devoto | Collana Diretta da Bonifacio G. Baroffio | E♭ Major | 0 | 5B | 80 BPM | ||
Requiem aeternam | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | E♭ Major | 2 | 5B | 174 BPM | ||
Inviolata - Sequentia in Honorem Beatae Mariae Virginis | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | F♯ Major | 1 | 2B | 86 BPM | ||
Gloria VIII | Stirps Iesse, Enrico De Capitani | A Major | 1 | 11B | 79 BPM | ||
Lamentatio | Chants From the Holyland- Graz Gregorian Chants School of Austri | F♯ Minor | 1 | 11A | 142 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Nowadays Forces Heavenly | The Male Choir of Valaam Singing Culture Institute | F Minor | 1 | 4A | 137 BPM |
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