"12 Etudes d'execution transcendante, Op. 11: No. 8 Epic Song" by Sergei Lyapunov, Konstantin Scherbakov was released on March 1, 1993. Since 12 Etudes d'execution transcendante, Op. 11: No. 8 Epic Song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sergei Lyapunov, Konstantin Scherbakov's "Lyapunov: 12 Etudes D'Execution Transcendante, Op. 11" album is number 8 out of 12. Based on our statistics, 12 Etudes d'execution transcendante, Op. 11: No. 8 Epic Song's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 12 Etudes d'execution transcendante, Op. 11: No. 8 Epic Song by Sergei Lyapunov, Konstantin Scherbakov to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mendelssohn: Songs Without Words, Book II, Op. 30: No. 6, Allegretto tranquillo, MWV U110 "Venetian Boat Song" | Felix Mendelssohn, Walter Gieseking | F♯ Minor | 0 | 11A | 134 BPM | ||
9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Children's Corner, L. 113: 5. The Little Shepherd | Claude Debussy, Seong-Jin Cho | A Major | 0 | 11B | 69 BPM | ||
Piano Sonata in F Major, Op. 12: Allegro molto | Jean Sibelius, Håvard Gimse | C Major | 1 | 8B | 107 BPM | ||
Wiosna, Op. 74 No. 2 (Version for Piano) | Frédéric Chopin, Marek Szlezer | D♭ Minor | 0 | 12A | 68 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Benjamin Grosvenor | E♭ Major | 0 | 5B | 78 BPM | ||
Pas des ésharpes, Op. 37 | Cécile Chaminade, Eric Parkin | A♭ Major | 0 | 4B | 138 BPM |
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