On October 17, 2020, the song "Shri Raghuvar Komal Kamalnayan Ko Pehnao Jaimala (From "Baal Kaand")" was released by Ravindra Jain. The duration of Shri Raghuvar Komal Kamalnayan Ko Pehnao Jaimala (From "Baal Kaand") is about 3 minutes long, at 3:10. Based on our data, "Shri Raghuvar Komal Kamalnayan Ko Pehnao Jaimala (From "Baal Kaand")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Ramayan Bhajan - Siya Raghuvar Ji Ke Sang Paran Laagi". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Shri Raghuvar Komal Kamalnayan Ko Pehnao Jaimala (From "Baal Kaand") is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Shri Raghuvar Komal Kamalnayan Ko Pehnao Jaimala (From "Baal Kaand") by Ravindra Jain having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mangalmurti Maruti Nandan | Hariharan | D Major | 9 | 10B | 90 BPM | ||
Man Mai Basakar | Aniruddhacharya Ji | B♭ Minor | 7 | 3A | 139 BPM | ||
Bigdi Meri Bana De | Lakhbir Singh Lakkha | C Minor | 6 | 5A | 80 BPM | ||
Laut Ke Aaja Mere Meet | Mukesh | E Minor | 3 | 9A | 97 BPM | ||
Radhe radhe japa karo | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
Mangal Murti Ram Dulare | Satish Dehra | A♭ Major | 1 | 4B | 135 BPM | ||
Ankhon Hi Ankhon Mein | O. P. Nayyar, Jan Nisar Akhtar | F Major | 4 | 7B | 159 BPM | ||
Ayodhya Karti Hai Aahvaan | Ravindra Jain, Satish Dehra, Rachna, Deepmala | G Major | 6 | 9B | 144 BPM | ||
Too Nahin To Zindagi Mein Aur Kya Rah Gaya | Chitra Singh | B Major | 3 | 1B | 109 BPM | ||
Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM |
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